| https://journals.sagepub.com/doi/10.1177/1746847706068896 |
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Re-Animating Space - Aylish Wood, 2006 |
| https://journals.sagepub.com/doi/10.1177/1746847717729595 |
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San Andreas and the Spiralling of the Analogico–Digital Animated Image - Patrick Crogan, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847717740095 |
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Simulation and the Labour of Invisibility: Harun Farocki’s Life Manuals - Thomas Elsaesser, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847717729581 |
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Speculative Animation: Digital Projections of Urban Past and Future - Joel McKim, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847715624581 |
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The Politics of Animation and the Animation of Politics - Eric Herhuth, 2016 |
| https://journals.sagepub.com/doi/full/10.1177/1746847717708972 |
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Into the Choppy Waters of Peace: An Inquiry into Peace- and Anti-Violence Animation - Myria Christophini, 2017 |
| https://www.artforum.com/print/201507/parallax-plurality-3-d-cinema-beyond-the-… |
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PARALLAX PLURALITY: 3-D CINEMA BEYOND THE FEATURE FILM - Artforum International |
