| https://journals.sagepub.com/doi/10.1177/1746847717740093 |
|
Animation and the Powers of Plasticity - Pasi Väliaho, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847713519390 |
|
Cognitive Animation Theory: A Process-Based Reading of Animation and Human Cognition - Dan Torre, 2014 |
| https://journals.sagepub.com/doi/10.1177/1746847717729520 |
|
Digital Unreason: Jordan Wolfson’s ‘Evil Jew’ - Alex Charnley, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847717729605 |
|
Rango, Ethics and Animation - Sean Cubitt, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847706068896 |
|
Re-Animating Space - Aylish Wood, 2006 |
| https://journals.sagepub.com/doi/10.1177/1746847717729595 |
|
San Andreas and the Spiralling of the Analogico–Digital Animated Image - Patrick Crogan, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847717740095 |
|
Simulation and the Labour of Invisibility: Harun Farocki’s Life Manuals - Thomas Elsaesser, 2017 |
| https://journals.sagepub.com/doi/10.1177/1746847717729581 |
|
Speculative Animation: Digital Projections of Urban Past and Future - Joel McKim, 2017 |
| https://muse.jhu.edu/article/51656 |
|
Project MUSE - The Materialities of Maya: Making Sense of Object-Orientation |
| https://journals.sagepub.com/doi/10.1177/1746847715624581 |
|
The Politics of Animation and the Animation of Politics - Eric Herhuth, 2016 |
