| https://billmorrisonfilm.com/ |
|
BILL MORRISON • HYPNOTIC PICTURES |
| https://www.youtube.com/watch?v=tYytVzbPky8 |
|
HOW TO DATAMOSH: PART 1 - YouTube |
| http://forum.glitchet.com/t/tutorial-make-video-glitch-art-how-to-datamosh-in-p… |
|
[TUTORIAL] Make Video Glitch Art: How to Datamosh, in Plain English - Art! - Glitchet Forum |
| https://www.glitchet.com/resources |
|
Glitchet: Art Resources |
| https://journals.sagepub.com/doi/10.1177/1746847717729595 |
|
San Andreas and the Spiralling of the Analogico–Digital Animated Image - Patrick Crogan, 2017 |
| https://nofilmschool.com/2014/11/focal-elements-fibonacci-30-minute-depth-study… |
|
From Focal Elements to Fibonacci: A 30-Minute In-Depth Study of Composition |
| http://iancheng.com/ |
|
IAN CHENG |
| http://ashleyconnor.net/ |
|
Ashley Connor Cinematography |
| http://www.recentfuturearchive.com/2013/02/ed-atkins-interview-by-hans-ulrich.h… |
|
Interview with Ed Atkins by Hans Ulrich Obrist - KALEIDOSCOPE |
| http://rhizome.org/editorial/2013/jan/21/artist-profile-ed-atkins/ |
|
Rhizome | Artist Profile: Ed Atkins |
